Chimen limye premye emi

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Spirits, called the Ghede. The Haitian Voodoo Pantheon

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The Gedes are the spirits of the death.  In Haiti, it is feasted in November 2 nd . It is known as all soul’s day.  A day that takes you in reconnection with your past. In remembrance of your loved ones that once walked with you on the surface of the earth.  A day that all vodouists dress up in Gede colors (Black, white, purple), and parade themselves to the cemetery where they depose flowers and special ritual foods on their ancestral tombs.  The Gede family is of a diverse lineage. They are Deities and can equally easily be the ancestor's loa.   The Gede spirits are originated from the Kongo. They dwell in the Petro rite. The Gedes hold dominion over life and death. For Gede, death is a passage that attributes to another life. That involved the cycle of eternity. They represent past, present and future. In the Gede Rites, the aspect of good and evil only refer to the hour of time.  As for Baron Kafou, Baron Lakwa, Baron Samedi, Baron Simityé and Grann Brijit, they are th
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Spirit Marinette Of The Wild Fire

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  Trees make her better, bonfire makes her more powerful.  She sustains the power of propelling onto the hot things and that’s how she rides through life.  She’s known by so many different names:  Marinette of the dry arms (Marinette-Bwa-Chech), Marinette of the dry legs (Marinette-Pye-Chech), Marinette lit-fire (Marinette-Limen-Dife) and all these titles attribute of her skeletal figure.  Marinette fierce spirit of the Kongo-Zandò  nation of the voodoo pantheon. She was tortured by her past enemies and brought up to a loa after her mortal death.  She’s feared and as much respected by many.  Marinette has been always at the brink of elevation.  She’s able to ride on trees, wooden pole like a vine on the wall.  She's the owl in the morning and the bat at night.  As her dual façade projecting power, independence, protection, determination, announcement, presence from another dimension, ambiguity, intuition. Once Marinette sense danger on the horizon, she gears up to
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The Goddess Ayizan Velekete Haitian Vodou Pantheon

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Gazing at Inside the peristyle, which showing the allure of a splendid arrangement and white cloths cover every bit of impunity. That also causes the reflections of a snowy blanket of winter snowflakes. A gentle breeze flows in, with a sense of serene; alerting ones to exhale and waiting for the divine arrival. Meanwhile, the persistence of the drumbeat is starting at a medium sound of yanvalou and twarig ò l. A variety of ritual songs from the rada rite consciously singing aloud; and kabalistic geometric signs trace on the air with the sacred gourd.  Abruptly, the breeze gets stronger and everybody has a sparkling glow in their eyes. Hearts pounding together with blood flow abyss. Their body swirl as if they were at the beginning stages of a trance. Equally they are splitting the ayizan branch, they commence to dance backward, sideways and circling around through the rhythm of the music.  The priestess that carries the ayizan, (Palm tree branches) begins to twirl around with a p
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